Putting the world to rights, Part 3

smith-pilcher-842-150826I’m surprised to find how popular this series of finger-wagging strips has been – the cartoon doesn’t normally get shared on Facebook but these ones have been promiscuously shared from the GoComics site. I always thought these were fairly weak cartoons saying obvious things in an obvious way. It just goes to show that that last person who should be consulted about the worth of his work should be the author!

A full cast of cats appears in the last frame, with three extras.

To the bottom left you can find one of Val Ware’s cats from the Paws for Thought strip. I’m not an aficionado of one panel strips normally but I love this one. When it first started I thought it was just going to be a bit of Hallmark Cards style sentimentality, but it’s grown into so much more. On one day you might get a piece of fine art recast to star a ginger cat, a piebald cat and a boxer dog – the next you’ll find a well observed bit of animal behaviour – and then an illustrated bit of philosophy. Try it. Work your way thru the back catalogue – it works best in bulk.

Fluffy from Snow Sez is directly behind The Cat That Stares At Stuff. Snow will be promoted to the GoComics main page soon, and about time too!

The tortoiseshell-and-white cat lying on the window ledge is a drawing of my first cat, Sunday. She had so many beautiful colours in her fur that she was perfect as an illustration of what this strip is about.

Putting the world to rights part 2

smith-pilcher-841-150824Ok, I did religion in the last strip, so let’s go for broke and do politics this time.

The people on telly are:

Frame 1:
Left: (but actually on the right) Boris Johnson, Conservative Mayor of London and MP for Uxbridge and South Ruislip. Right: (but actually left) Ed Milliband, former leader of the Labour Party.

Frame 2:
Left: (and actually left) Jeremy Corbyn, the man currently likely to be the next Labour Party leader. Right (and actually right) Ian Duncan Smith, Secretary of State for Work and Pensions, and complete and utter bell-end.

Frame 3:
General view of the House of Commons.

Putting the world to rights

smith-pilcher-840-150821Oh dear. It’s been a bit of a tough summer – at least it was when I wrote this next batch of cartoons. Us humans have been acting in a really stupid manner again, everyone’s been shouting at one another, shooting one other and blowing each other up for no sensible reason whatsoever. So pardon me while I get this out of my system, making very obvious points in a very obvious way because some things are so very obvious that no-one ever seems to pay any heed to them. Normal service resumes on Bank Holiday Monday.

 

What’s cooking?

smith-pilcher-839-150819

Do not adjust your set

smith-pilcher-838-150817It’s hard work making the colours look discordant enough. I hope this works.

Synesthesia

smith-pilcher-837-150814I set myself the question of how to represent different smells in a comic strip without using ‘stink lines’ which only ever seem to represent an unpleasant or overpowering odour. I decided that colour would be the best way to go about it, and that led to a series of cartoons of which this is the first.

Lynx aftershave is exactly the same stuff as the range of adolescent smellies known as ‘Axe’ in the States. It doesn’t smell too bad used in moderation, but its target demographic doesn’t know the meaning of ‘in moderation’ yet.

Who watches the watchmen?

smith-pilcher-836-150812The Cat Who Stares at Stuff, that’s who.

Plastic bags

smith-pilcher-835-150810I’m always amazed by how many plastic bags our groceries come in when we get a delivery from a supermarket, especially when you consider that whenever I actually do a big weekend shop, I can manage to get the same amount of stuff in about five of six. I think that’s a habit I’ve retained from the days when I didn’t drive, and learned the trick of doing a weekly shop and carrying the groceries back home in as compact a way as possible.

Why do cats like plastic bags? Aside from the obvious attraction of the rustling sound they make, of course. A commenter has noted that some cats like to bite the – something I’ve noticed Bella loves to do as well, though she prefers upmarket bags from Waterstones the booksellers or the handles of carriers from Next. It may be the particular plastic that they use that attracts them – Smudge loved a plastic bag tidy from Ikea; it got a catnip-like reaction from her.

I really shouldn’t have to say this but don’t forget, cats and empty plastic bags do not mix. Don’t leave your cat unattended with anything that might potentially suffocate them.

Sea Fret

smith-pilcher-834-150807I’m not exaggerating here – on Hastings seafront on some days you can cross the road and go from deep fog to bright sunshine.

Give ’em enough rope

smith-pilcher-833-150805Yes, this is a bit late, I’m afraid. I drew it yesterday but didn’t manage to colour it in until today. Unfortunately colouring is so soothing and restful that I fell asleep at the computer doing it. So I had to do it this evening instead, with a break halfway through for Bake Off (I like to think I have my priorities correct).

This is my first strip created using tracing paper and tracedown sheets in order to get the backgrounds in each frame looking much the same without looking mechanical. The process involves drawing the first background as normal, and the tracing it onto a sheet of tracing paper. Then, using the traced copy as a template, and sandwiching a tracedown sheet between the tracing paper and the final artwork (imagine carbon paper without the waxiness, so pressure leaves an erasable graphite mark on the paper below) I draw the same background into the other frames. The characters get drawn into position over the backgrounds. Then the art gets inked and the pencil marks erased as normal. It’s a very involved process but it works – its stopped the tree from mutating from one frame to the next.